In SCL’s most recent release of The Score Magazine, Jack D. Elliot rated CUBE a 10/10 in his glowing review. “I love that the interface is nice and simple…You can easily do an entire cue using this super fun and easy-to-use plug-in. Great sounds and strong features.” Take a peek below!
When you’re creating new patches and designing sounds, do they sound static? Without rhythm, groove, dynamics, or a sense of movement? If so, what should you do to fix it? Enter the unsung hero of sound design and production, the LFO, or Low-Frequency Oscillator....
Unlocking the Sonic Magic of Physical Spaces Ever shouted into a cave? Or ‘yee-hawed’ down the Grand Canyon? Maybe you've heard an echo in a large bathroom? In each case, you would have heard what convolution reverb is based on. Did you notice how the sound in a cave...
Ever wondered why John Bonham's drums sound so massive? Or what makes Whitney Houston’s vocals shimmer? Or why The XX sound so spacey? Reverb is a crucial contributor to what makes their recordings sound great. In this article, we’ll take you through a brief history...